The average attack time is fixed at 10 milliseconds, but its unique release characteristic is what gives the LA-2A its definitive sound. The T4 optical attenuator in the LA-2A is both program and frequency dependent, allowing the compression ratio to vary greatly based on the source material. It responds especially well to the human voice in a way that inspires performance.” “It’s inspiring to sing through psychologically. “It treats your signal so lovingly,” says Bill Putnam Jr., CEO of Universal Audio. Why has the LA-2A remained so popular for recording engineers of all stripes, even fifty years after its original design? It’s all about the slow, gentle, and versatile multi-stage release time.
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